Noosa Arts Theatre launches One Act Play festival

A Wilde Night by Robin Hawdon, directed by John McMahon.

Since 1978, Noosa Arts Theatre has run the National One-Act Playwriting Competition.

With an $8000 cash prize pool, it attracts entries from playwrights not only from Australia but across the world.

Scripts are judged anonymously by a panel of readers who are experienced in directing, acting and producing plays and a shortlist is then judged by a panel of three professional industry experts.

The three finalists are selected on the quality of the writing, not on subject matter, and the winning order is decided before the plays are presented in this Festival.

Many emerging playwrights have been discovered through this process.

During the Festival, the audience is asked at each performance to vote for the Nancy Cato Audience Choice Award.

Other awards include Best Director and Best Actor. Presentation of the awards takes place after the final performance.

The play’s the thing and without plays there is no theatre.

Noosa Arts Theatre is proud to offer this opportunity to aspiring and established playwrights.

This year they have a wonderful array of plays to tempt your theatrical pleasure including:

A Wilde Night by Robin Hawdon – directed by John McMahon

The fate of Oscar Wilde is well known. His trial for indecent acts, his subsequent imprisonment in Reading Gaol – which virtually destroyed his enormous popularity both as a playwright, and as a society celebrity – and his subsequent descent into depression, alcoholism, and illness, leading to his premature death in Paris at 46 – all these have been well documented, and often portrayed on screen and stage.

What is not so well known is that the whole tragic saga really came to a head on the occasion of the first night of his most successful, and ultimately most enduring comedy, The Importance Of Being Earnest. While the audience was laughing and applauding uproariously in the auditorium, Oscar, banned from sitting out front, was going through emotional confrontations backstage, and his nemesis, the deranged Marquess of Queensberry, was marauding outside with a prizefighter companion, seeking an opportunity to assault him. The irony of these contrasting circumstances surely did not escape Wilde, whose tragedy ultimately had such an effect on today’s very different moral attitudes.

Morning Tea by Kerry Fair – directed by Maria Karambelas

Three mobile phones, a brand new Alpha X, an older smart phone and a little flip phone, are left on a table at a conference as phones are not allowed to be taken into the auditorium. The conversation between the phones reflects the personalities of their humans, the dependence of humans on their phones – and vice versa!

Three Wives and a Funeral by Rob Selzer – directed by Liza Park

Richard Green had a lot of love to give, which may explain why he tied the knot three times. But it’s only now at his funeral that his three wives finally get to meet each other. Informed that Richard’s will is to be read immediately following the service and that the beneficiaries will be the people he considered to be his true soulmates, his wives jockey as to who really had the closest relationship. Secrets are exposed, jealousies unmasked and, in the process, the women divulge more about themselves than about their marriage to the dearly departed. Ultimately, the real soulmate is revealed to be someone completely unexpected.

Avoid disappointment and book now.

Dates: Cut price preview May 19 at 7.30pm, all tickets $23.

Evenings: May 20, 26, 27 at 7.30pm. Matinees May 21, 22, 28 at 2pm.

Tickets: Adults $35, Concessions $30, Member/Group $25, Under 18 $25

For more information go to