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HomeNewsMax mix: beat that music

Max mix: beat that music

By JONATHON HOWARD

NESTLED amid the Doonan bushland, inside a small makeshift music studio, 14-year-old Max Walker is busy mixing up his next electronic dance track.
He tells me he was 11 years old when he first started listening to music by Dead Mouse, and how he knew he’d soon be producing his own beats under the name “Ritynn”.
A mere three years later and Ritynn is now listed on the Triple J Unearthed charts, recognised by international music producers and Max has even played his first live gig.
Although this youngster is yet to experience the many wonders and perils of the world, it’s already clear to him and his family that he has a bright future ahead.
“I can still remember when I first heard electronic music – it just clicked with me instantly,” he said.
“I’d never really been interested in music, but when I heard Dead Mouse and few other artists, I was inspired.”
Triple J broadcasters have heaped praise on Ritynn, describing his sound as a fuse of bass-heavy remixes with progressive house, electro and mainroom to create a dynamic and hypnotic style of electronic dance music.
“Whether it’s his remixes of other artists, or original mixes, Ritynn’s sound not only fits well within the club and festival scenes, but seamlessly crosses over to the more mainstream medium of radio,” it reads.
“The first gig I played was at the Toowoomba Easter Festival,” Max said.
“We only had 20-30 people at the pub gig, but we pulled a bigger crowd at the Powerhouse, about 100 which was awesome.
“It’s such a good feeling playing to people and they love your music.”
Asked whether he was seeking fame, Max replied: “not fame but recognition”.
His parents Anthony and Karin Walker, who admitted they knew nothing about electronic music, were shocked by his talent.
“Max has always been bright and a quick learner, but he took to electronic music so well and his passion has grown ever since – we’re really supportive,” Mrs Walker said.
So while a small bush music studio may seem like a long way from the stages of big music festivals, it’s from little things that big things grow.

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